Spent

Just the other day I thought about dVerse community and how long it has been since I wrote a poem. It feels like waves crashed over me and kept me under water, barely letting me break the surface in time for another inhale. Maybe this old thing I revisited today might push me in the right derection.

Edward Atkinson Hornel – Portrait of an Old Man in a Scarlet Tunic, 1881.

Autumn is crashing his bones,
his heart a silent drummer.
Oh, how it drummed so loud
in his waisted summer.

He longs to cry once more,
but it seems his tears
have been used up
in his wasted years.

His hands have been broken
in one too many strife;
he crossed too many lines
in his wasted life.

If only he could feel
just for a moment, whole;
but there is no return
for his wasted soul.

The roots cruelly transformed
To the ties that bind.
It seems the run is over
for his wasted mind.

My offer for today is an old thing I wrote few years ago…I was watching a wrestling match on TV and it made me think about the lives of pro-wrestlers, of the risks they take from day to day…from town to town…to earn few bucks here and there. How dark is their autumn and how cold is their winter?

Advertisement

Amaranthine

Time for another entry in Friday Fictioneers challenge, courtesy of Rochelle Wisoff-Fields. If you want to give it a try, check the info on her blog. 100 words more or less, inspired by a photo, here we go….

 Copyright –    J Hardy Carroll

Years go by, yet the pain remains,
carved in her bones with a pocket knife;
if she could break them and re-set again,

I wonder if that would reshape her life.

Followed by a shadow of imminent demise,
her screams echo in a silent solitude.

Prisoner of past, present and future,
she is a singularity in the multitude.

I wonder about her from time to time.

Will she be able to run up the hill?
Can she find once more the reason to live?
Breathing… even if the time stands still.

The Ballad of Reading Gaol

Oscar Wilde, 1854 – 1900

I

He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.

He walked amongst the Trial Men
In a suit of shabby grey;
A cricket cap was on his head,
And his step seemed light and gay;
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every drifting cloud that went
With sails of silver by.

I walked, with other souls in pain,
Within another ring,
And was wondering if the man had done
A great or little thing,
When a voice behind me whispered low,
“That fellow’s got to swing.”

Dear Christ! the very prison walls
Suddenly seemed to reel,
And the sky above my head became
Like a casque of scorching steel;
And, though I was a soul in pain,
My pain I could not feel.

I only knew what hunted thought
Quickened his step, and why
He looked upon the garish day
With such a wistful eye;
The man had killed the thing he loved
And so he had to die.

Yet each man kills the thing he loves
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!

Some kill their love when they are young,
And some when they are old;
Some strangle with the hands of Lust,
Some with the hands of Gold:
The kindest use a knife, because
The dead so soon grow cold.

Some love too little, some too long,
Some sell, and others buy;
Some do the deed with many tears,
And some without a sigh:
For each man kills the thing he loves,
Yet each man does not die.

He does not die a death of shame
On a day of dark disgrace,
Nor have a noose about his neck,
Nor a cloth upon his face,
Nor drop feet foremost through the floor
Into an empty place

He does not sit with silent men
Who watch him night and day;
Who watch him when he tries to weep,
And when he tries to pray;
Who watch him lest himself should rob
The prison of its prey.

He does not wake at dawn to see
Dread figures throng his room,
The shivering Chaplain robed in white,
The Sheriff stern with gloom,
And the Governor all in shiny black,
With the yellow face of Doom.

He does not rise in piteous haste
To put on convict-clothes,
While some coarse-mouthed Doctor gloats, and notes
Each new and nerve-twitched pose,
Fingering a watch whose little ticks
Are like horrible hammer-blows.

He does not know that sickening thirst
That sands one’s throat, before
The hangman with his gardener’s gloves
Slips through the padded door,
And binds one with three leathern thongs,
That the throat may thirst no more.

He does not bend his head to hear
The Burial Office read,
Nor, while the terror of his soul
Tells him he is not dead,
Cross his own coffin, as he moves
Into the hideous shed.

He does not stare upon the air
Through a little roof of glass;
He does not pray with lips of clay
For his agony to pass;
Nor feel upon his shuddering cheek
The kiss of Caiaphas.

II

Six weeks our guardsman walked the yard,
In a suit of shabby grey:
His cricket cap was on his head,
And his step seemed light and gay,
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every wandering cloud that trailed
Its raveled fleeces by.

He did not wring his hands, as do
Those witless men who dare
To try to rear the changeling Hope
In the cave of black Despair:
He only looked upon the sun,
And drank the morning air.

He did not wring his hands nor weep,
Nor did he peek or pine,
But he drank the air as though it held
Some healthful anodyne;
With open mouth he drank the sun
As though it had been wine!

And I and all the souls in pain,
Who tramped the other ring,
Forgot if we ourselves had done
A great or little thing,
And watched with gaze of dull amaze
The man who had to swing.

And strange it was to see him pass
With a step so light and gay,
And strange it was to see him look
So wistfully at the day,
And strange it was to think that he
Had such a debt to pay.

For oak and elm have pleasant leaves
That in the spring-time shoot:
But grim to see is the gallows-tree,
With its adder-bitten root,
And, green or dry, a man must die
Before it bears its fruit!

The loftiest place is that seat of grace
For which all worldlings try:
But who would stand in hempen band
Upon a scaffold high,
And through a murderer’s collar take
His last look at the sky?

It is sweet to dance to violins
When Love and Life are fair:
To dance to flutes, to dance to lutes
Is delicate and rare:
But it is not sweet with nimble feet
To dance upon the air!

So with curious eyes and sick surmise
We watched him day by day,
And wondered if each one of us
Would end the self-same way,
For none can tell to what red Hell
His sightless soul may stray.

At last the dead man walked no more
Amongst the Trial Men,
And I knew that he was standing up
In the black dock’s dreadful pen,
And that never would I see his face
In God’s sweet world again.

Like two doomed ships that pass in storm
We had crossed each other’s way:
But we made no sign, we said no word,
We had no word to say;
For we did not meet in the holy night,
But in the shameful day.

A prison wall was round us both,
Two outcast men were we:
The world had thrust us from its heart,
And God from out His care:
And the iron gin that waits for Sin
Had caught us in its snare.

III

In Debtors’ Yard the stones are hard,
And the dripping wall is high,
So it was there he took the air
Beneath the leaden sky,
And by each side a Warder walked,
For fear the man might die.

Or else he sat with those who watched
His anguish night and day;
Who watched him when he rose to weep,
And when he crouched to pray;
Who watched him lest himself should rob
Their scaffold of its prey.

The Governor was strong upon
The Regulations Act:
The Doctor said that Death was but
A scientific fact:
And twice a day the Chaplain called
And left a little tract.

And twice a day he smoked his pipe,
And drank his quart of beer:
His soul was resolute, and held
No hiding-place for fear;
He often said that he was glad
The hangman’s hands were near.

But why he said so strange a thing
No Warder dared to ask:
For he to whom a watcher’s doom
Is given as his task,
Must set a lock upon his lips,
And make his face a mask.

Or else he might be moved, and try
To comfort or console:
And what should Human Pity do
Pent up in Murderers’ Hole?
What word of grace in such a place
Could help a brother’s soul?

With slouch and swing around the ring
We trod the Fool’s Parade!
We did not care: we knew we were
The Devil’s Own Brigade:
And shaven head and feet of lead
Make a merry masquerade.

We tore the tarry rope to shreds
With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
And cleaned the shining rails:
And, rank by rank, we soaped the plank,
And clattered with the pails.

We sewed the sacks, we broke the stones,
We turned the dusty drill:
We banged the tins, and bawled the hymns,
And sweated on the mill:
But in the heart of every man
Terror was lying still.

So still it lay that every day
Crawled like a weed-clogged wave:
And we forgot the bitter lot
That waits for fool and knave,
Till once, as we tramped in from work,
We passed an open grave.

With yawning mouth the yellow hole
Gaped for a living thing;
The very mud cried out for blood
To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
Some prisoner had to swing.

Right in we went, with soul intent
On Death and Dread and Doom:
The hangman, with his little bag,
Went shuffling through the gloom
And each man trembled as he crept
Into his numbered tomb.

That night the empty corridors
Were full of forms of Fear,
And up and down the iron town
Stole feet we could not hear,
And through the bars that hide the stars
White faces seemed to peer.

He lay as one who lies and dreams
In a pleasant meadow-land,
The watcher watched him as he slept,
And could not understand
How one could sleep so sweet a sleep
With a hangman close at hand?

But there is no sleep when men must weep
Who never yet have wept:
So we—the fool, the fraud, the knave—
That endless vigil kept,
And through each brain on hands of pain
Another’s terror crept.

Alas! it is a fearful thing
To feel another’s guilt!
For, right within, the sword of Sin
Pierced to its poisoned hilt,
And as molten lead were the tears we shed
For the blood we had not spilt.

The Warders with their shoes of felt
Crept by each padlocked door,
And peeped and saw, with eyes of awe,
Grey figures on the floor,
And wondered why men knelt to pray
Who never prayed before.

All through the night we knelt and prayed,
Mad mourners of a corpse!
The troubled plumes of midnight were
The plumes upon a hearse:
And bitter wine upon a sponge
Was the savior of Remorse.

The cock crew, the red cock crew,
But never came the day:
And crooked shape of Terror crouched,
In the corners where we lay:
And each evil sprite that walks by night
Before us seemed to play.

They glided past, they glided fast,
Like travelers through a mist:
They mocked the moon in a rigadoon
Of delicate turn and twist,
And with formal pace and loathsome grace
The phantoms kept their tryst.

With mop and mow, we saw them go,
Slim shadows hand in hand:
About, about, in ghostly rout
They trod a saraband:
And the damned grotesques made arabesques,
Like the wind upon the sand!

With the pirouettes of marionettes,
They tripped on pointed tread:
But with flutes of Fear they filled the ear,
As their grisly masque they led,
And loud they sang, and loud they sang,
For they sang to wake the dead.

“Oho!” they cried, “The world is wide,
But fettered limbs go lame!
And once, or twice, to throw the dice
Is a gentlemanly game,
But he does not win who plays with Sin
In the secret House of Shame.”

No things of air these antics were
That frolicked with such glee:
To men whose lives were held in gyves,
And whose feet might not go free,
Ah! wounds of Christ! they were living things,
Most terrible to see.

Around, around, they waltzed and wound;
Some wheeled in smirking pairs:
With the mincing step of demirep
Some sidled up the stairs:
And with subtle sneer, and fawning leer,
Each helped us at our prayers.

The morning wind began to moan,
But still the night went on:
Through its giant loom the web of gloom
Crept till each thread was spun:
And, as we prayed, we grew afraid
Of the Justice of the Sun.

The moaning wind went wandering round
The weeping prison-wall:
Till like a wheel of turning-steel
We felt the minutes crawl:
O moaning wind! what had we done
To have such a seneschal?

At last I saw the shadowed bars
Like a lattice wrought in lead,
Move right across the whitewashed wall
That faced my three-plank bed,
And I knew that somewhere in the world
God’s dreadful dawn was red.

At six o’clock we cleaned our cells,
At seven all was still,
But the sough and swing of a mighty wing
The prison seemed to fill,
For the Lord of Death with icy breath
Had entered in to kill.

He did not pass in purple pomp,
Nor ride a moon-white steed.
Three yards of cord and a sliding board
Are all the gallows’ need:
So with rope of shame the Herald came
To do the secret deed.

We were as men who through a fen
Of filthy darkness grope:
We did not dare to breathe a prayer,
Or give our anguish scope:
Something was dead in each of us,
And what was dead was Hope.

For Man’s grim Justice goes its way,
And will not swerve aside:
It slays the weak, it slays the strong,
It has a deadly stride:
With iron heel it slays the strong,
The monstrous parricide!

We waited for the stroke of eight:
Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
That makes a man accursed,
And Fate will use a running noose
For the best man and the worst.

We had no other thing to do,
Save to wait for the sign to come:
So, like things of stone in a valley lone,
Quiet we sat and dumb:
But each man’s heart beat thick and quick
Like a madman on a drum!

With sudden shock the prison-clock
Smote on the shivering air,
And from all the gaol rose up a wail
Of impotent despair,
Like the sound that frightened marshes hear
From a leper in his lair.

And as one sees most fearful things
In the crystal of a dream,
We saw the greasy hempen rope
Hooked to the blackened beam,
And heard the prayer the hangman’s snare
Strangled into a scream.

And all the woe that moved him so
That he gave that bitter cry,
And the wild regrets, and the bloody sweats,
None knew so well as I:
For he who lives more lives than one
More deaths than one must die.

IV

There is no chapel on the day
On which they hang a man:
The Chaplain’s heart is far too sick,
Or his face is far too wan,
Or there is that written in his eyes
Which none should look upon.

So they kept us close till nigh on noon,
And then they rang the bell,
And the Warders with their jingling keys
Opened each listening cell,
And down the iron stair we tramped,
Each from his separate Hell.

Out into God’s sweet air we went,
But not in wonted way,
For this man’s face was white with fear,
And that man’s face was grey,
And I never saw sad men who looked
So wistfully at the day.

I never saw sad men who looked
With such a wistful eye
Upon that little tent of blue
We prisoners called the sky,
And at every careless cloud that passed
In happy freedom by.

But there were those amongst us all
Who walked with downcast head,
And knew that, had each got his due,
They should have died instead:
He had but killed a thing that lived
Whilst they had killed the dead.

For he who sins a second time
Wakes a dead soul to pain,
And draws it from its spotted shroud,
And makes it bleed again,
And makes it bleed great gouts of blood
And makes it bleed in vain!

Like ape or clown, in monstrous garb
With crooked arrows starred,
Silently we went round and round
The slippery asphalte yard;
Silently we went round and round,
And no man spoke a word.

Silently we went round and round,
And through each hollow mind
The memory of dreadful things
Rushed like a dreadful wind,
And Horror stalked before each man,
And terror crept behind.

The Warders strutted up and down,
And kept their herd of brutes,
Their uniforms were spick and span,
And they wore their Sunday suits,
But we knew the work they had been at
By the quicklime on their boots.

For where a grave had opened wide,
There was no grave at all:
Only a stretch of mud and sand
By the hideous prison-wall,
And a little heap of burning lime,
That the man should have his pall.

For he has a pall, this wretched man,
Such as few men can claim:
Deep down below a prison-yard,
Naked for greater shame,
He lies, with fetters on each foot,
Wrapt in a sheet of flame!

And all the while the burning lime
Eats flesh and bone away,
It eats the brittle bone by night,
And the soft flesh by the day,
It eats the flesh and bones by turns,
But it eats the heart alway.

For three long years they will not sow
Or root or seedling there:
For three long years the unblessed spot
Will sterile be and bare,
And look upon the wondering sky
With unreproachful stare.

They think a murderer’s heart would taint
Each simple seed they sow.
It is not true! God’s kindly earth
Is kindlier than men know,
And the red rose would but blow more red,
The white rose whiter blow.

Out of his mouth a red, red rose!
Out of his heart a white!
For who can say by what strange way,
Christ brings his will to light,
Since the barren staff the pilgrim bore
Bloomed in the great Pope’s sight?

But neither milk-white rose nor red
May bloom in prison air;
The shard, the pebble, and the flint,
Are what they give us there:
For flowers have been known to heal
A common man’s despair.

So never will wine-red rose or white,
Petal by petal, fall
On that stretch of mud and sand that lies
By the hideous prison-wall,
To tell the men who tramp the yard
That God’s Son died for all.

Yet though the hideous prison-wall
Still hems him round and round,
And a spirit man not walk by night
That is with fetters bound,
And a spirit may not weep that lies
In such unholy ground,

He is at peace—this wretched man—
At peace, or will be soon:
There is no thing to make him mad,
Nor does Terror walk at noon,
For the lampless Earth in which he lies
Has neither Sun nor Moon.

They hanged him as a beast is hanged:
They did not even toll
A reguiem that might have brought
Rest to his startled soul,
But hurriedly they took him out,
And hid him in a hole.

They stripped him of his canvas clothes,
And gave him to the flies;
They mocked the swollen purple throat
And the stark and staring eyes:
And with laughter loud they heaped the shroud
In which their convict lies.

The Chaplain would not kneel to pray
By his dishonored grave:
Nor mark it with that blessed Cross
That Christ for sinners gave,
Because the man was one of those
Whom Christ came down to save.

Yet all is well; he has but passed
To Life’s appointed bourne:
And alien tears will fill for him
Pity’s long-broken urn,
For his mourner will be outcast men,
And outcasts always mourn.

V

I know not whether Laws be right,
Or whether Laws be wrong;
All that we know who lie in gaol
Is that the wall is strong;
And that each day is like a year,
A year whose days are long.

But this I know, that every Law
That men have made for Man,
Since first Man took his brother’s life,
And the sad world began,
But straws the wheat and saves the chaff
With a most evil fan.

This too I know—and wise it were
If each could know the same—
That every prison that men build
Is built with bricks of shame,
And bound with bars lest Christ should see
How men their brothers maim.

With bars they blur the gracious moon,
And blind the goodly sun:
And they do well to hide their Hell,
For in it things are done
That Son of God nor son of Man
Ever should look upon!

The vilest deeds like poison weeds
Bloom well in prison-air:
It is only what is good in Man
That wastes and withers there:
Pale Anguish keeps the heavy gate,
And the Warder is Despair

For they starve the little frightened child
Till it weeps both night and day:
And they scourge the weak, and flog the fool,
And gibe the old and grey,
And some grow mad, and all grow bad,
And none a word may say.

Each narrow cell in which we dwell
Is foul and dark latrine,
And the fetid breath of living Death
Chokes up each grated screen,
And all, but Lust, is turned to dust
In Humanity’s machine.

The brackish water that we drink
Creeps with a loathsome slime,
And the bitter bread they weigh in scales
Is full of chalk and lime,
And Sleep will not lie down, but walks
Wild-eyed and cries to Time.

But though lean Hunger and green Thirst
Like asp with adder fight,
We have little care of prison fare,
For what chills and kills outright
Is that every stone one lifts by day
Becomes one’s heart by night.

With midnight always in one’s heart,
And twilight in one’s cell,
We turn the crank, or tear the rope,
Each in his separate Hell,
And the silence is more awful far
Than the sound of a brazen bell.

And never a human voice comes near
To speak a gentle word:
And the eye that watches through the door
Is pitiless and hard:
And by all forgot, we rot and rot,
With soul and body marred.

And thus we rust Life’s iron chain
Degraded and alone:
And some men curse, and some men weep,
And some men make no moan:
But God’s eternal Laws are kind
And break the heart of stone.

And every human heart that breaks,
In prison-cell or yard,
Is as that broken box that gave
Its treasure to the Lord,
And filled the unclean leper’s house
With the scent of costliest nard.

Ah! happy day they whose hearts can break
And peace of pardon win!
How else may man make straight his plan
And cleanse his soul from Sin?
How else but through a broken heart
May Lord Christ enter in?

And he of the swollen purple throat.
And the stark and staring eyes,
Waits for the holy hands that took
The Thief to Paradise;
And a broken and a contrite heart
The Lord will not despise.

The man in red who reads the Law
Gave him three weeks of life,
Three little weeks in which to heal
His soul of his soul’s strife,
And cleanse from every blot of blood
The hand that held the knife.

And with tears of blood he cleansed the hand,
The hand that held the steel:
For only blood can wipe out blood,
And only tears can heal:
And the crimson stain that was of Cain
Became Christ’s snow-white seal.

VI

In Reading gaol by Reading town
There is a pit of shame,
And in it lies a wretched man
Eaten by teeth of flame,
In burning winding-sheet he lies,
And his grave has got no name.

And there, till Christ call forth the dead,
In silence let him lie:
No need to waste the foolish tear,
Or heave the windy sigh:
The man had killed the thing he loved,
And so he had to die.

And all men kill the thing they love,
By all let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!

 

The Ballad of Reading Gaol is a poem by Oscar Wilde, written in exile in Berneval-le-Grand, after his release from Reading Gaol, on 19 May 1897. Wilde had been incarcerated in Reading after being convicted of homosexual offences in 1895 and sentenced to two years’ hard labour in prison.

During his imprisonment, on Tuesday, 7 July 1896, a hanging took place. Charles Thomas Wooldridge had been a trooper in the Royal Horse Guards. He was convicted of cutting the throat of his wife, Laura Ellen, earlier that year at Clewer, near Windsor. He was aged 30 when executed.

Wilde wrote the poem in mid-1897 while staying with Robert Ross in Berneval-le-Grand. The poem narrates the execution of Wooldridge; it moves from an objective story-telling to symbolic identification with the prisoners as a whole. No attempt is made to assess the justice of the laws which convicted them, but rather the poem highlights the brutalisation of the punishment that all convicts share. Wilde juxtaposes the executed man and himself with the line “Yet each man kills the thing he loves”. Wilde too was separated from his wife and sons. He adopted the proletarian ballad form, and suggested it be published in Reynold’s Magazine, “because it circulates widely among the criminal classes – to which I now belong – for once I will be read by my peers – a new experience for me”.

Frozen Ground

Time for another entry in Friday Fictioneers challenge, courtesy of Rochelle Wisoff-Fields. If you want to give it a try, check the info on her blog. 100 words more or less, inspired by a photo, here we go….

 Copyright –   Rochelle Wisoff-Fields

Stretch your sails and sail away,
search for that elusive land;
follow a promise of another day,
I promised long ago I’d understand.

I can almost touch your pain,
don’t you know how it feels?
You said things would be the same,
knowing all along our love kills.

We have tumbled from our cloud…
fallen hard to our knees;
lacking courage to speak out loud,
but there’s no hiding what heart sees.

Sun seems always too far away,
standing on a frozen ground.
Maybe someone will discover
our love in a box of lost and found.

What? 2015 over already?

Kind people from  WordPress.com stats (known as helper monkeys) prepared a 2015 annual report for my blog.

 

The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 9,600 times in 2015. If it were a concert at Sydney Opera House, it would take about 4 sold-out performances for that many people to see it.

Imagine that, I sold out Sydney Opera House 4 times!!! If you want to check out some more funny stuff, you can click on this link: https://snowsfissuresandfractures.wordpress.com/2015/annual-report/

Phew, what a year this has been. Who knows what the next one will bring?

I wish you all a Happy New Year!!!

50 Happy Things for 2015: Bloggers Unite in Flood of Gratitude

Few days ago Dawn Landau of Tales From the Motherland invited me to participate in an interesting event. Trying to spread positive thoughts across the blogosphere, I agreed to make the list of 50 things that made me happy in 2015. The trick was to write them down in 10 minutes or less. I thought it tricky, but in truth I managed to come up with 50 happy things in 9 minutes, which in return made me happy again. The event is going live on Monday 21 and if you want to help spread happy thoughts, you will find all the necessary details at the bottom of this post.

And now….here are my 50 happy things!!!

Berta
Equanimity
My dearest Stefan

Writing poetry
Autumn
Love
My best friend Irena
Morning walks with Berta
Traveling to Italy
Walking over Charles Bridge in Prague

Decorating my home for Christmas
Drinking tea with my high school friend Danijela
High school reunion (first time in 23 years)
Watching movies with my best friend
Being amazed by my uncle’s trip to US (he is 61 and doesn’t speak English, but he visited Chicago, Miami, Las Vegas, flew over Grand Canyon)
Joining Instagram (I am posting photos every single day!)
Taking photos with my camera, phone, friends camera, anything I can get my hands on
Two published articles!!!
Dynamic Range, where my series The History of Women Photographers is being featured

My blog (one of the best things I did in my life)
Friday Fictioneers
Spreading my writer’s wings
My new notebook
Berta (again and again)
My hometown
Running wild
Chasing rainbows (even in my forties)
Knowing when to stop

Dreaming big
Living large
Planning my trip to New York
Knowing I will go to New York with my best friend ❤
Singing
Dancing
Visiting my family
Sharing things
Keeping special people close to my heart
Losing myself in the best way
Finding myself over and over again

Visiting Prague again after six years
Loosing weight (and not gaining it back)
Improving on my photography skills
Learning few Italian words
Walking around Milan (with the camera in my hands)

Cuddling with my Berta
Vilma, a new member of my extended family
Looking at the mirror
Packing my bags
Happy memories
Still having a love affair with myself

If you’d like to join in, here’s how it works: set a timer for 10 minutes; timing this is critical. Once you start the timer, start your list. The goal is to write 50 things that made you happy in 2015, or 50 thing that you feel grateful for. The idea is to not think too hard; write what comes to mind in the time allotted. When the timer’s done, stop writing. If you haven’t written 50 things, that’s ok. If you have more than 50 things and still have time, keep writing; you can’t feel too happy or too grateful! When I finished my list, I took a few extra minutes to add links and photos.

To join the bloggers who have come together for this project: 1) Write your post and publish it (please copy and paste the instructions from this post, into yours) 2) Click on the blue frog at the bottom of this post. 3) That will take you to another window, where you can past the URL to your post. 4) Follow the prompts, and your post will be added to the Blog Party List.

Please note that only blog posts that include a list of 50 (or an attempt to write 50) things that made you feel Happy or 50 things that you are Grateful for, will be included. Please don’t add a link to a post that isn’t part of this exercise.

Thousand Ways To Fall

Time for another entry in Friday Fictioneers challenge, courtesy of Rochelle Wisoff-Fields. If you want to give it a try, check the info on her blog. 100 words more or less, inspired by a photo, here we go….

 Copyright –  Sandra Crook

I can be brave
if someone holds
my trembling hand

I could take
the easy way out
but I’ll make my stand

I can come alive
if someone takes
the silver umbrage away

But most of all
I could be loved
if someone looks my way

I can find in
this darkness
thousand ways to fall

But I can’t find
one that would take me
beyond the wall

I could be fixed
if someone tried
I could be repaired

But most of all
I could be loved
if someone dared

Between Worlds

Sometimes it doesn’t take much to cross that imagined line between  two worlds, the one we live in and the one we dream of.

Like passing ships, we sail through the mist, not realizing how close we were to each other…and after a time, we turn around and spot the sales in the distance, wondering if they are coming towards us or leaving us behind.

In my dreams, this is the song that plays on repeat.

Turtle

I can be horribly patient, waiting until forever.
If it makes you happy, I am walking like a turtle.

We are lured into the light, who plays the sun before us?
As if we are one body, I still hear your heartbeat.

Where I give my all, where you have all of me,
Where the dream hides, the dream in the eye of the turtle.

Darling, in my dream you pick up all my broken pieces,
Laying me down on your breasts, so I could kiss you freely.

Cause you are what I’ve been searching for..you, the one who teaches me to lie.
So put up the fight when I enter, I desire to earn you.

Where I give my all, where you have all of me,
Where the dream hides, the dream in the eye of the turtle.

Can you see me in the face of the one you are living with,
Can you find me inside…inside…inside…

Where I give my all, where you have all of me,
Where the dream hides, the dream in the eye of the turtle.

Where this is where we are , all the stories are useless.
For your touch, I would sell memories for a dime.

                                 – Damir Urban

Jisei For My Tired Soul

Fly me to the Moon

The moon my lover
My one faithful companion
Welcomes my tired soul

 

It’s been a while, my fellow dVerse poets…but it is always a pleasure to be in your company. Today the challenge is to write a Jisei.

“In ancient Japanese, Chinese and Korean cultures, a practice was used at the time of death to capture the last words spoken. This practice was called jisei (in Japan) or death poem and is the “farewell poem to life.” Jisei was written by monks, samurai, the literate and poets of these cultures. Jisei was written in kanshi, waka, and haiku. Not all death poems are haiku. However, they are all in the short poem style (tanka). Kanshi is the Japanese word for Chinese poetry.” – by Gayle

Hope my haiku follows the traditional form, I welcome any correction or advice. Since it is already late in the evening, I will be sure to check all of your entries tomorrow and over the weekend.

Haiku – The Magic and The Mastery of Ryōkan

Every now and then I get a visit to this post, that I wrote over a year ago. One of my favorites, no doubt about it.

Snow's Fissures and Fractures

It took me awhile to understand the art of haiku. My disparagement and indifference were products of  ignorance and lack of knowledge. As a child, I would listen to grownups making fun of haiku poetry, trying to glue together few simple words without any coherent meaning, deluding themselves thinking the secrets of haiku would be revealed to their unengaged souls. But as with all things distant and unknown, only when you allow yourself to grow and learn, can you perceive and appreciate the hidden beauty and wisdom.

There are very few works of art that deeply touched me throughout my life, pushing me to rethink and question the choices I make, the way I see the world around me.

It happened suddenly and unexpectedly, I was ambushed by few simple lines. Like a fish on a hook, I was dragged onward, trying to free myself, entangling ever deeper. The words…

View original post 1,113 more words